Is Adorno being elitist when he criticises the culture industry Essay

Is Adorno being elitist when he criticises the culture industry - Essay Examplets came from educated-in-elite-school-system Germans such as Schopenhauer, Martin Luther, Immanuel Kant, Karl Marx, Friedrich Nietzsche, Bach, Beethoven and Goethe. There was a point in time where the German elite formed the main part of the intelligentsia. The Germans are literary people. The artless is after all das Land der Dichter und Denker, the land of poets and thinkers. (Wasser, 2006)To understand whether Theodore Adorno in his criticism of art, unison and culture was guided by the moralist, egalitarian, capitalist or undemocratic stance, this paper will focus on Adornos biography and his contributions to the development of the culture industry as well as his critical views on music and come out of the closetular culture. For the purpose of clarity and space, Adornos early works (1941-1941) will be used as reference to build the entire paper.In 1903 in Frankfurt, Germany, Theodore Adorno opene d his eyes to an affluent and educated family. Both his mother and sister were accomplished musicians and it was from them that he received his initial training and encouragement in his life-long sock for music (Jay, 1973).His Jewish roots ultimately became the deciding factor in his philosophical writings and thoughts, especially after Hitlers totalitarian regime and the national socialist Holocaust swept over Germany with millions of Jews persecuted under it. During this time, Adorno was forced into exile and spent the next 16 years of his life in England and the US before reversive to Germany to complete his doctorate in Philosophy from Frankfurt University.Adornos position on culture and the music industry has managed to establish key influences in the theater of operations of media studies. His ideas about these industries were critical and in some cases, pessimistic. Adorno analyses the dynamics of the culture industry in the context of standardization underlining it as a f undamental characteristic of pop music. He quotes himselfA clear judgment concerning the